For inquiries about scores and parts, contact mattmagerkurthmusic@gmail.com
Large Ensemble
Plains Cathedrals (2020) for amplified cello and wind ensemble.
Character Arc (2018) for saxophones (1,1,1,1), brass (4,6,4,1,1), and percussion (4, timp, piano). Commissioned by the University of Tulsa Wind Ensemble for the 2018 Southwest CBDNA Conference.
Give it Time (2017) for orchestra, for the University of Tulsa Symphony Orchestra.
The Unstoppable (2017) incidental music for orchestra. Commissioned by the Oklahoma Baptist Symphony.
Chamber Music
End of Daze (2020) for bass clarinet, percussion, harp, and viola. Commissioned by the Ensemble Dal Niente Summer Residency for New Music at DePaul University.
I have to tell you (2019) for soprano and cello.
Detach (2019) for piano and chamber orchestra. Commissioned by Drew Crane.
Tea Leaves (2018) for flute and alto saxophone. Commissioned by Duo Metallique.
Strawberry Stains (2017) for cello and piano. Commissioned by Andrea Tulipana and Wesley Sexton for the occasion of their wedding
whalebones (2017) for electric guitar, percussion, and piano. Written for D.J. Sparr, Matthew Gold, and Steve Beck for the 2017 Walden Creative Musicians Retreat in Peterborough, NH
Grass Stains (2016) for flute, oboe, and clarinet in Bb. Commissioned by featherweight for the 2017 Oh My Ears Festival in Phoenix, AZ.
With a View (2016) for clarinet, trumpet, horn, percussion, viola, and string bass. Written for the Oregon Bach Festival Composers’ Symposium.
I Want a Sober Mind (2016) for piano quintet. Commissioned by Dana Maher and the University of Tulsa Concerts with Commentary Series for their 2016 installment on Sacred Harp Music.
Something New (2016) for oboe and chamber orchestra. Commissioned by Trey Makler and Exit 128 Chamber Orchestra from Columbia, MO.
I feel above me the day-blind stars (2016) for cello and piano. Commissioned by Jeremiah Neely.
Studies on Urban Mountaineering (2016) for speaker and piano trio. Written featuring the poems of Wesley Sexton for Ascending Duo + Matt Magerkurth's Summer 2016 Concert Series, Road Trip.
Amens (2016) for violin and cello. Commissioned by Thomas and Jeremiah Neely.
Death by Water (2015) for piano trio. Commissioned by Ascending Duo for their 2015 In So Many Words performance in Brooklyn, NY.
Offcenter (2015) for woodwind quartet. Commissioned by the University of Nebraska-Lincoln's Chamber Music Intensive.
WHATGOESUP (2015) for bass clarinet, trumpet, trombone, and baritone voice. Written for loadbang and the Charlotte New Music Festival.
color_shift1 (2014) for viola and cello. Commissioned by Micah and Jeremiah Neely, recorded on RMN Music.
O Come O Come Emmanuel (2014) for string quartet. Commissioned by the University of Tulsa String Quartet.
Heart Monitor (2014) for trumpet, euphonium, alto saxophone, and piano. Written for the 2014 Milna Ensemble.
Solo
Yellowwing (2019) for violin. Commissioned by Thomas Neely
Follower (2018) for cello and electronics. Commissioned by Living Arts Tulsa's 2018 OK Electric Festival
Glass Stains (2017) for cello. Written for Kacee DuGas.
Old Habits Die Hard (2017) for cello and electronics. Written for Jeremiah Neely
Mazurka (2015) for piano. Commissioned by Abigail Gschwend.
Vocal
The Christmas Letter (2019) for SSATB choir and string orchestra. Commissioned by Volcano Valley High School
(this life one leaf) (2015) for SATB choir. Commissioned by Melanie Piché
Patchwork (2015) for SSAATTBB choir. Commissioned by Melanie Piché.
Rivers (2019) originally performed by violin, cello, and drumset. Commissioned by the OK Electric Festival.
Inlet/Outlet (2015) for painter, dancer, and piano trio. Written featuring the dance of Courtney Reynolds Trachsel and the live painting of Gabrielle Cerberville for Ascending Duo + Matt Magerkurth's Summer 2015 Concert Series, Tidal Resonance.